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Ma Rainey's Black Bottom: A Play (Plume), by August Wilson
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The time is 1927. The place is a run-down recording studio in Chicago. Ma Rainey, the legendary blues singer, is due to arrive with her entourage to cut new sides of old favorites. Waiting for her are her black musician sidemen, the white owner of the record company, and her white manager. What goes down in the session to come is more than music. It is a riveting portrayal of black rage . . . of racism, of the self-hate that racism breeds, and of racial exploitation . . .
- Sales Rank: #44063 in Books
- Published on: 1985-04-24
- Released on: 1985-04-24
- Original language: English
- Number of items: 1
- Dimensions: 7.95" h x .30" w x 5.28" l, .25 pounds
- Binding: Paperback
- 112 pages
Review
"The play's themes are not new to the stage . . . the black American search for identity . . . and the process by which any American sells his soul for what Arthur Miller calls the salemean's dream. Mr. Wilson's style, however, is all his own. . . . He has lighted a dramatic fuse that snakes and hisses through several anguished eras of American life. When the fuse reaches its explosive final destination, the audience is impaled by the impact."
—Frank Rich, The New York Times
"Extraordinary! Ma Rainey rides on the exultant notes of the blues!"
—Jack Kroll, Newsweek
"What a joy! Brilliant . . . explosive! One of the most dramatically riveting plays I've seen in years. You must see it!"
—William A Raidy, Newhouse Newspapers
"A genuine work of art . . ."
—Brendan Gill, The New Yorker
About the Author
August Wilson is a major American playwright whose work has been consistently acclaimed as among the finest of the American theater. His first play, Ma Rainey's Black Bottom, won the New York Drama Critics' Circle Award for best new play of 1984-85. His second play, Fences, won numerous awards for best play of the year, 1987, including the Tony Award, the New York Drama Critics' Circle Award, the Drama Desk Award, and the Pulitzer Prize. Joe Turner's Come and Gone, his third play, was also voted best play of 1987-88 by the New York Drama Critics' Circle. In 1990, Wilson was awarded his second Pulitzer Prize for The Piano Lesson.
Most helpful customer reviews
26 of 28 people found the following review helpful.
The insightful play is a mix of comedy and drama.
By A Customer
This play shows how the rage caused by racism can be manifested in unusual ways. Each character, the blues singer and her band, has a different means of trying to gain control of a racist society hoping to, thereby, overcome it. The author's surprisingly humurous dialogue accentuates the story but, there is no mistaking the gravity of these characters's pain. Wilson's writing makes the play fast-paced and gives excellent insight to the histories of the individual characters. The use of blues lyrics and speech make them not just backdrops but characters, themselves. The abrupt ending seems a little forced, but the play is extremely entertaining.
11 of 13 people found the following review helpful.
An understanding of blues and history!
By Official NetNanuNanu
Recognized as a great American playwright with numerous awards, August Wilson has brilliantly chronicled the black experience through decades. Depicting the 1920s, he wrote "Ma Rainey" in 1982, a real life blues singer.
The scene for "Ma Rainey's Black Bottom", takes place in a recording studio in 1927 where two white music executives are making a record with blues singer, Ma Rainey and a group of musicians.
Because the focus is on four male band members. it may take a while to try to put a face with each character, but within a short time, you grasp who the characters are - their values, beliefs and fears.
Ma Rainey's tone of voice is profound and nobody can push her around. Some critics report that Ma Rainey was exploitive and abusive to her band members, but I certainly did not get that impression. She was just tough and she knew how important her role was in blues music! Ma Rainey didn't take any crap from the white executives or anyone.
The dialogue interweaves with Ma's performance onstage and the band members during rehearsals. Their identities evolve and it's clear who and why they are as they share their experience with racist America and we then know their role in a racist society and industry.
A dramatic ending caps the story when the most bitter player reacts violently when another member steps on his shoes. To me, the incident seemed unjustifiable to provoke such a violent reaction by another member. It appeared out of place.
If you have an interest in the work of a great playwright or another interpretation of black experience through the decades, read more from this amazing man.
10 of 13 people found the following review helpful.
Talky, but interesting
By David Bonesteel
This play is set in a studio during the early days of sound recording. Ma Rainey's back-up band awaits the overdue arrival of the so-called Queen of Blues, discussing their lives and arguing about the music scene and their places in it. The white studio execs are practically tearing their hair out over Ma's tardiness and the demands that she is sure to make when she arrives. When she finally comes, she is every bit as demanding and overbearing as we expect, but also very perceptive-she is well aware that black artists are being exploited by the very record company people who continually urge her to be "reasonable" about the amount of money that she "wastes" on personal demands while recording the music that makes them so rich.
Although it features very good dialogue and some fine monologues, nothing much happens dramatically during the course of the play. There is an explosive finale, but it feels contrived and overdone, as though Wilson didn't know where to take his characters after all of the talking stopped.
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