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The Island Princess (Arden Early Modern Drama), by John Fletcher
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The Island Princess is a tragicomic romance set in the Spice Islands of Indonesia. Fletcher rewrites Shakespeare's The Tempest through the encounter of Islam and Christianity and the fierce European competition for wealth at the farthest reaches of empire. The play also stages the degeneration of religious tolerance into fanaticism.
This groundbreaking edition explores the play in its gendered, political, social and religious contexts whilst also finding its resonances for a twentyfirst century audience. The critical introduction and onpage commentary notes create an ideal teaching text giving a comprehensive account of the play from both literary and performance perspectives.
- Sales Rank: #705375 in Books
- Published on: 2013-01-31
- Released on: 2013-01-31
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .74" w x 5.21" l, .80 pounds
- Binding: Paperback
- 360 pages
Review
“Clare McManus has produced a fine edition of this important play, which has emerged from neglect in recent years. The text has been authoritatively established; the notes are always helpful; and the introduction, in line with this series, is serious, useful and a pleasure to read.” ―Andrew Hadfield, University of Sussex, Around the Globe
“I gladly recommend McManus' edition of his work […] I am pleased to see a new, scholarly, well-annotated edition of this old work.” ―Kenneth Tucker, Murray State University, The Shakespeare Newsletter
About the Author
Clare McManus is Reader in English Literature, Roehampton University, London
Most helpful customer reviews
0 of 3 people found the following review helpful.
Yes, but rather eccentric decisions by Arden
By MACLEAR
The play is a good example of Fletcher's talents yes. Yet its real merit is its riffing on Shakespeare's late romance. But I must say it is odd, to say the least, that the good people at Arden are publishing much second (or third) rate material from the Jacobean era while overlooking such masterpieces as "The Revenger's Tragedy," "The Alchemist," "Volpone," "The Changling," "Women Beware Women," "The Malcontent" and the list goes on. The only noteworthy plays that have been published under the "Early Modern" moniker are "The Duchess of Malfi," "The Spanish Tragedy," and "Tis Pity She's a Whore". Luckily for us there are the good publishers at New Mermaids and Revels who ensure that these excellent plays are kept before the reading (if not the theater going) public. And yes, I know this forum should be for critiques of the text under question; this is a review of the poor publishing practice of Arden - if not here, where? Too, an indication that the public is not buying is the lack of reviews for these texts.
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